walter hill movies
Biography, movies, phrases and photos of Walter Hill. Real life brothers James and Stacy Keach play Jesse and Frank James, David, Keith and Robert Carradine play the Younger brothers, Dennis and Randy Quaid are the outlaw Miller siblings and Christopher and Nicolas Guest take on the roles of Robert and Charley Ford. Walter Hill (USA, 1942), the scriptwriter of Sam Peckinpah's The Getaway, debuted with Hard Times (1975), set in the Great Depression, and the gangster movie The Driver (1978). From Internet Movie Firearms Database - Guns in Movies, TV and Video Games. With a script co-written by Robert Zemeckis (Back To The Future), Trespass milks a lot of tension from its limited location and features a cast that includes Bill Paxton, William Sadler, and Ice Cube. All rights reserved. Click the button below to start this article in quick view. Other than commenting on the hunger that drives men to extreme decisions and the nature of the outsider, the movie is about the dispossessed and that’s all it needs to be. (1982), Brewster's Millions (1985)) and a more personal art cinema (The Driver (1978), Wild Bill (1995)), Hill's movies display a recurring thematic concern with masculine identity and male codes of honour, loyalty and betrayal. Films directed by Walter Hill. Entertainment. 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Red Heat (1988). New content will be added above the current area of focus upon selection Un film di Walter Hill.Con Sigourney Weaver, Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Terry Chen.Titolo originale The Assignment.Thriller, durata 95 min. Set in an ostensibly present-day New York that’s closer to a post-apocalyptic wasteland than the Big Apple, the film follows the titular gang—including Michael Beck‘s Swan, James Remar‘s Ajax, Terry Michos‘ Vermin, Marcelino Sanchez‘s Rembrandt and David Harris‘ Cochise—who are called to a meeting of all the New York gangs in Van Cortland’s Park, proposing a truce, only for their leader Cyrus (Roger Hill) to be framed for the murder of the leader of the Gramercy Riffs. Geronimo: An American Legend Walter Hill, 1993. Tales from the Crypt: Deadline Walter Hill, 1991 + … The Long Riders was a modest success upon release but has been reappraised as one of Hill's best. But as the “Southern Comfort” release proves, a wider audience is being found for his earlier films, and a new appreciation for the sinewy grace of their execution has emerged. But one shouldn’t read too much into the movie. The go-to source for comic book and superhero movie fans. Edgar Wright: I first saw Walter Hill’s second film, The Driver, as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Last Man Standing Walter Hill, 1996. Walter Hill Movies. Streets Of Fire was a box-office dud, but Hill directs with flair and clearly had a great time blending genres. And it’s a movie driven by brotherhood and the bonds of family. “48 Hours” (1982)It’s near impossible to cover Walter Hill‘s “essential” works and not mention his breakthrough Hollywood buddy cop dramedy “48 Hours,” but it needs to be said it hasn’t aged very well. . And so it should be: Hill stages the action as impressively as ever, and creates a genuinely distinctive and energetic world (thanks in part to a great soundtrack). Legends of Film is proud to present a rare interview with Producer, Writer, and Director Walter Hill. Forgotten upon the time of its release (the critical drubbing of “Heaven’s Gate” a few weeks earlier didn’t help), it’s not the fastest draw in the West, but that’s hardly the laconically beautiful point. It might be somewhat style over substance, but it’s an engaging and distinctive piece of work, and one that’s aged surprisingly well. Giger's Disturbing Alien Concept Art Changed The Movie. Find on Wikipedia. Sign up for our Email Newsletters here. And Hill has a tremendous feel for the iconic, summoning up not just comic books, but also the Greek legend Anabasis, something hammered home in the recent director’s cut, which adds graphic-art bridging sequences and a new intro to really emphasize the film’s place as pop art. Wild Bill is a handsomely mounted Western with a great central performance by Jeff Bridges, who is backed by Ellen Barkin and John Hurt. It’s also, much like most of Hill’s work, deeply unpretentious: the Great Depression was rough, creating hard-bitten types like Bronson’s Chaney character. 11. A siege movie where two firemen uncover treasure before running afoul of a criminal gang in an abandoned building. The Civil War-era set movie lends a sympathetic ear to the outlaws even as they rob banks and kill, framing them as outsiders who just want to be left alone and on the fringes of society. Walter Hill's most recent project is sadly his weakest. The audience laughed. “Trespass” (1992) A Walter Hill movie that was co written by John Milius and starring Wes Studi, Jason Patric, Matt Damon, Robert Duvall, and Gene Hackman should not feel like it was forgotten to time. And one director whose reputation is on a definite upswing at he moment is Walter Hill. Hill’s pretty much at the peak of his powers at this point, and there’s a rough and tumble steeliness to the action, all embellished by an excellent score by slide guitarist Ry Cooder, in his second of seven collaborations with the director. Padraig has been writing about film online since 2012, when a friend asked if he’d like to contribute the occasional review or feature to their site. It’s an essentially lawless world, like “The Warriors” turned up to eleven, and confirms, as if that earlier film had left any doubt, that Hill was one of the first “comic book” directors—in retrospect the film seems to be influential (for better or worse) on all kinds of contemporary tentpole and action filmmakers. Here are a few examples of ways you can filter the charts: The Top 10 Movies Directed by Walter Hill; The Top 20 Movies Directed by Walter Hill; The Best Horror Movies Of the 1980s Beyond its unpleasantness and dated dynamics, it’s still a (mostly) watchable film, but we’d be lying if we said this was the comedy classic of our youth that we still adored. What intends to be an unvarnished examination of odd couples through race relations is pretty offensive by today’s standards. To Hill’s credit, “48 Hours” was a box-office sensation, jump starting the careers of all involved, and spawned (an inferior) sequel. If you’re a neophyte and want to know where to start, or if you’ve seen a few but don’t know which ones to pick up next, here are the eight Walter Hill films that are most worth checking out. Here are a few examples of ways you can filter the charts: The Top 10 Movies Directed by Walter Hill; The Top 20 Movies Directed by Walter Hill; The Best Horror Movies Of the 1980s All 20 Walter Hill Movies Ranked From Worst To Best Posted on August 14, 2017 August 14, 2017 by Tom Lorenzo Without having the fanfare of many of his fellow 1970s alum, Walter Hill is one of the most important and influential filmmakers of all time. Edgar Wright: I first saw Walter Hill’s second film, The Driver, as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. For instance, it’s hard to imagine Michael Mann‘s career being the same without Hill’s examination of two icy professionals on either side of the law, while Quentin Tarantino has nodded to “The Driver” more than once in his work. Part of the post-Vietnam wave of actioners that included things like “First Blood,” “Southern Comfort” takes a not dissimilar plot to “The Warriors,” but repurposes it to the bayou of the 1970s, stripping out the more stylized elements of the earlier film to become one of Hill’s most brutal and satisfying films, and probably the closest he’s come to a full-on war picture. Featuring an idiosyncratic original score by Ry Cooder (not afraid to use anachronistic elements like the electric guitar, which also distinguishes it from the pack), the movie has a melancholy tinge as if to suggest these halcyon days outside the law cannot last. 7. They’re only two factions in a complex cast of characters chasing the MacGuffin in a script that consciously nods to “Treasure of the Sierra Madre,” and there’s a morality play feel to Zemeckis and Gale’s script that goes as far back as Chaucer. He began directing in 1975, and scored at the end of the decade with the gang film The Warriors. With all that said, here are all Walter Hill movies, ranked worst to best. He began directing in 1975, and scored at the end of the decade with the gang film The Warriors. All Films ; Fandango US ; Amazon US ; Amazon Video US ; iTunes US ; Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by … Bronson makes for a charismatic lead and Hill directs the fights with brutal efficiency. A middling success on release, it has matured over time into one of the most reliably entertaining midnight movies around. He was quoted as saying that he sets his films in “a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control…of the problem, and I like to do that even within contemporary stories.” And that’s very much true with “The Driver,” his second film. From Internet Movie Firearms Database - Guns in Movies, TV and Video Games Jump to: navigation , search The following lists the films and miniseries in the IMFDB written or directed by Walter Hill: Interviews with leading film and TV creators about their process and craft. The son of a riveter who worked in shipbuilding, Hill was born in Long Beach, CA, on January 10, 1942. Buy Movies. Giger's Disturbing Alien Concept Art Changed The Movie. It’s been a decade since the words ‘A Walter Hill film’ have graced the screen. With his lean but bold and visually powerful approach, filmmaker Walter Hill's career proved that action films can be smart, stylish, and distinctive, and his movies put a fresh spin on the traditional themes of Westerns, crime dramas, and even buddy films. Walter Wesley Hill (born January 10, 1942) is an American film director, screenwriter and producer who produced the 1979 film Alien, the 1992 film Alien 3, the 1997 film Alien Resurrection, the 2004 film Alien vs. This is where the picture gets downright malicious. The film in question was The Driver, a 70s car chase cult classic that the Aero was playing as… The following lists the films and miniseries in the IMFDB written or directed by Walter Hill: Film. Arnold Schwarzenegger's Russian cop teams with James Belushi's cynical Chicago detective. Related: How H.R. And now here we are with “Southern Comfort” getting a Blu-Ray release via Shout Factory this very week, which gives us the perfect excuse to continue our own re-evaluation process, by expanding on our original list to eight entries. Earn 125 points on every ticket you buy. Hill first Western was famous was casting real-life brothers like Dennis and Randy Quaid to play the title outlaws. Veering between mainstream commercialism (48 Hrs. A part-time hobby soon blossomed into a career when he discovered he really loved writing about movies, TV and video games – he even (arguably) had a little bit of talent for it. Alongside Brewster's Millions, Crossroads is one of the odd men out of Hill's filmography, being a coming of age story centered around blues music. This sequel is bizarrely committed to recreating the key beats of the original, but the chemistry between the leads and lean pacing keep it entertaining. 21 December 2020 | JoBlo Alien producer David Giler had died at the age of 77. Sign Up: Stay on top of the latest breaking film and TV news! - USA, Francia 2016. Last Man Standing (1996). The film's iconic gangs, relentless pace, likable heroes and great use of music made it a hit and its reputation only seems to grow year after year. Rapina. 7. He has directed such films as The Warriors, Hard Times, The Driver, Southern Comfort, 48 Hrs. https://www.theguardian.com/film/2014/jul/17/walter-hill-action-movie-interview It’s, as you might expect from Hill, relatively spare and lean (the plot is, essentially, “go from point A to point B”), but he creates a rich world to play in, one that one suspects bears little relation to the real world at the time, but also feels shot through with the disco/punk/early hip-hop spirit of 1970s NYC. After launching his directing career in 1975 he quickly established his own style; terse dialogue, brutal action scenes, and non-flashy camerawork. 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